AI Filmmaking
Happy Oyster Joins Runway and MiniMax in the Race to Build Interactive Worlds
Alibaba's Happy Oyster joins Runway and MiniMax in the interactive world model race, taking a genuinely different technical path than either.
AI Filmmaking
Alibaba's Happy Oyster joins Runway and MiniMax in the interactive world model race, taking a genuinely different technical path than either.
freelance
Pricing freelance video work is where filmmakers most consistently undercharge — and where the consequences compound. Here's how to set rates that are actually sustainable.
Post-Production
DaVinci Resolve's default settings are built for pro environments, not your laptop. Here's what to change before your next project.
Camera Gear
The Eterna 55's massive sensor makes lens choice complicated. Here's the one purpose-built cine lens, plus native and adapted options.
AI Filmmaking
fal released H3 Max Director, turning the tech behind its infinite AI livestream into an API anyone can build with.
AI Filmmaking
AI compresses the research phase of location scouting significantly — here's how to use it for concept generation, permit research, light analysis, and building a virtual scout package.
AI Filmmaking
Hugging Face is where most open-weight AI models and LoRAs actually get hosted and shared. Here's what the platform does and why it matters.
Camera Gear
The Eterna 55 gets called medium format and large format, and both are technically correct. Here's why the terminology genuinely conflicts.
ai tools
Nvidia just confirmed a $12.9 billion acquisition of Hugging Face. Here's what the platform actually does, and why it matters to AI filmmaking.
business & industry
Markiplier invested in Strada, a cloud-free remote editing platform, continuing a pattern of backing accessible production infrastructure.
AI Filmmaking
Runway's GWM Worlds 2 generates real-time interactive worlds that can be scripted like a film or played like a game, using the same underlying model.
commercial directing
Director Aidan Cullen breaks down the Cosmos commercial shot on film with Odessa A'zion — and the $100M freelance crew platform he built alongside his directing career.